Sunday, October 25, 2020

ORAL TRADITION BY Dr. Yerneni VenkateswaraRao

                                                                 ORAL TRADITION 

                                                                                                     Dr. Yerneni VenkateswaraRao 

                                                                                                        Retd  Principal 

                                                                                                      Akkineni Nageswara Rao College , 

                                                                                                            GUDIVADA    

“The soul of a society resides in its oral tradition”, they say. Story-telling, with its natural ease and its capacity to convey several meanings simultaneously, forms the bedrock of such a tradition. Though with the march of time and movement of people stories undergo some inevitable changes, yet they manage to retain their vital spark and essential core intact. Of the different forms of verbal communication and oral arts, story- telling is the best in several respects. By telling/narrating stories, one can instantly connect and create a bond with his audience.

  No wonder story-telling has been a long established tradition with us in India; saints and sages routinely used it to instil ethical values, spiritual insights and universal verities along with worldly wisdom into eager minds, especially the young ones, and to effectively get across their timeless messages on righteousness and virtue and the right code of conduct.

  Great teachers like the Upanishadic seers, the Buddha, Jesus Christ  and Ramakrishna Paramahamsa took recourse to tales, anecdotes and parables because, for one thing , everyone loves to listen to a story and for another, tales straight forward as well as allegorical, tell and instruct through entertainment while parables and anecdotes, the former being easy on the ear and multidimensional in their penetration, and the latter being all too human in scope and captivating by nature, convey recondite scriptural tenets abstruse truths and profound verities in a delectable form and arresting fashion.

  “Stories provide others with the benefit of shared experiences an allow them to easily relate to fact, context and emotion and to bring their own interpretations to what they hear (or read). Meaning happens from interaction, not from blind passive reception”, as Michael Lussack and John Roose so rightly wrote.

  The language of Vedantic texts like the Bhagavad Gita and the Upanishads like that of literary classics, has such a density and depth as to require a person of spiritual maturity and intuitional insight to absorb their full meaning and purport. In fact, in such works, whose purpose is to instruct and elevate, the truth lies hidden well beyond the intellectual reach of the average mind and needs to be annotated. And therefore, to expound on them with a view to convey the messages and truths so gleaned to the average readers of these texts with their limited power of discrimination, teachers need newer and easier methods /modes to facilitate explanation and comprehension, and what fits the bill better than story-telling, for stories, tales and parables, although unreal are readily understood by all owing to their easy ‘relatability’ to the listener’s own life and experience. Like a picture, they make immediate sense to a layman as well as an intellectual. They ignite the thought, rouse the feelings, awaken the sensibilities, help one to delve into the content, relate to context, grasp the lesson/message and perhaps take a stand too. Equally valuable and effective, if not more, are anecdotes in inspiring the listeners by infusing confidence in them that they too could own  and live some of the values and principles highlighted by them, they being the accounts of real life incidents and events .

  The humour-laced tales and parables told by Ramakrishna, the story teller par excellence and his homely illustrations are elucidations of the eternal truths of the Upanishads of a highly esoteric nature which do not make for easy interpretation, and his won spiritual experiences and insights of an equally esoteric and profound nature, too deep for ready comprehension by the ordinary devotees, the theme being always the same—how to attain God—how “to strive ,to seek, to find and not to yield”.

  Story-telling electrifies the atmosphere , enlivens the audience instantly and rivets their attention as if by magic. That is why all experienced and enlightened teachers fall back on this time-honoured and hoary practice every so often. Even today for enlivening their classrooms and instructing their students on matters of sublime nature involving logical subtleties and semantic nuances with implied significance and import, too fine to comprehend ordinarily, and too complex to be unravelled by the average student.

  A good story , a parable, is a combination of education and entertainment—edutainment in the newest jargon. If it is also humorous, it eases tension and promotes a feeling of relaxation all around. Being a communal mood-provoker, it enhances compatibility by improving interpersonal relationships and promotes collective experience, for story-telling, like music and dance , is a pan human cultural phenomenon expressing effectively and appealing strongly to universally shared emotions. 

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